![]() Prior to that, she often drew tabloid scrutiny. In the past year, Taylor Swift’s public dispute with music manager Scooter Braun over her music catalog made headlines and raised questions about the ownership artists have over the music they create. With so few events to attend, live music still mostly canceled and many artists postponing their work, fresh projects are bound to find rapt audiences whether or not they are coming from Taylor Swift.īut Swift, being Swift, was always destined to conjure up a powerful reaction. In quarantine, any album release finds new resonance. Either way, the web of perspectives and emotions outlined in the track trio presents Swift fans with plenty of material to parse through as they unravel the mystery of Swift’s feelings and her new album’s connotations. The two other characters in the trio, James and Ines, happen to be the names of the two daughters of Swift’s friends Blake Lively and Ryan Reynolds, deepening the connection to her real-life friend circle and the Swiftian world we know. These three songs explore a love triangle from all three people’s perspectives at different times in their lives.” Consensus has led listeners to believe the three songs in question are “Betty,” “Cardigan” and “August.” Woven together, they tell a story of betrayal, heartache and sweet teen angst.īut “Betty” can also be read as vaguely autobiographical, which some fans are keen to do. (Cue the plaintive harmonica.) In her notes, Swift explained: “There’s a collection of three songs I refer to as The Teenage Love Triangle. One of the songs on Folklore that caught the most early attention online is “Betty,” a late-album track that sees Swift return most directly to her country roots. The “who” of it all, of course, remains murky. The opening song, “The 1,” is an ode to what could have been. Still, as she announced in advance, she buried plenty of Easter eggs in her words for her fans to unpack at will. Folklore is a little more, well, folkloric: “The lines between fantasy and reality blur and the boundaries between truth and fiction become almost indiscernible,” she shared in an advance statement about the lyrical content. Swift has historically been one of our most confessional pop stars in her music, often mining her personal archives for material. ![]() It would be fruitless to break down every Swift lyric the songwriting can be poetically obtuse, and she’s telling many stories, from many character points of view, with many aching regrets. “And some things you just can’t speak about” And the rest of us? Still adjusting to pandemic life, still engaged in important conversations about our country’s racist history, we might also want something at just this unhurried tempo. Folklore meets her exactly where she’s strongest, right now. But those ballads have often been her most poignant work.
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